Pre-order of Grateful End. You get 4 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
“Grateful End" is our album release in 2019 in the form of CD and cassette. The title "Grateful End" clearly shows that this is our album with the theme of "End", such as "The Last Day of Humanity" and “Good Night, Good Death" are two of our songs with the theme of "End". However, this album also has another theme of " Live", in fact most of the songs on this album are based on our imagination of "Live". “End" is not the antonym of “Live”, "End" is just one of the stages of “Live”, in other words “End" is also our “Live”. “Grateful End" is a meaningful “End" for people struggling to “Live”. It is only when the “End" comes together with “Live” that we can find significance in it and pay attention to how people face the “End" of “Live”. The End of something enables us to understand “Live”.
Most of the tracks for Grateful End were recorded in 2018, before the epidemic, so our music doesn't reflect the situation of epidemic, but there was a time in 2020 when I thought about the reality that humanity was facing the last day of humanity. Thanks to the efforts of many people, humanity is not yet extinct, and thanks to the help of many people, we can now release this vinyl. We are very grateful to all of you. But at the same time, the plight of the epidemic has re-emerged many humanity and morality issues that we have avoided looking at. Maybe we won't die out, but if we don't face our humanity squarely, we will lose our humanity in the future and will no longer be human. I don't know what our music can do about humanity, but it is true that music is one of the creations of humanity, and music cannot leave humanity. As music lovers, our creations will always face humanity. I hope that in the future, after the epidemic is over, we can understand and inspire each other through our lives and music. See you soon.
- K.P. Liu
Dope Purple
K.P. Liu: Guitar, Voice
Hung Jiun Chi: Guitar
Wang Hu Ray: Bass
Speed Justin Tao: Drums
YunHao: Synthesizer
Recorded at Revolver, Taipei, 15th December 2018 & 9th March 2019
Recording: K.P. Liu / Mixing & Mastering: 濁朗 Darklaw
Live photo: 富靈子 (except the photo at the bottom: SHAME LOVE)
Cover photo, Design & Layout: 若潭 ruò tán
At points, this reminds me of the bands that defined early chillwave, like Ducktails, Memory Tapes, or Predator Vision; the guitars are similarly reverb-y and chorus-drenched, chords splashing out lazily and slow, swaggers subverted into saunters. However, the Eastern melodic flavor gives this more of an overtly mystical aesthetic, and the instrumentation and compositional elements are far more exotic and interesting. Highly recommended. PannionSeer
Dearest Arooj, firstly thank you. My brother died this year n what can be said about such loss n sadness. I saw n heard you at The end of the Road in England. I spent many years in India n love all the music, poetry of your heritage. Thankyou Arooj❤️ ben1769
Trailblazing psych duo White Hills return with another batch of bottom-heavy stoner-y anthems submerged in 200 tons of guitar. Bandcamp New & Notable Sep 17, 2022
Oh how I long for this album in vinyl format! Such smoothness. Such warmth. Such execution. This music begs to be taken along and woven into memories. Everyone I’ve shared this album with has loved it. The music speaks far and wide. Shouting out to a fellow follower, Brian Lehmann, for his excellent taste in music. If not for him, I likely would have never stumbled upon this absolute gem! Plinchmo Larduktin